This post will be updated frequently as movies enter and leave the service. *New titles are indicated with an asterisk.
In 2021, CBS All Access rebranded with the name Paramount+, reflecting the history of the legendary film and TV company with that nifty little mathematical sign that all the streaming companies seem to love these days. The name Paramount brings a deep catalogue of feature films, and the streaming service also includes titles from the Miramax and MGM libraries. They have also added a more robust original selection than at launch to complement the service’s classics like Gladiator, the Mission: Impossible series and Grease.
For now, Paramount+ can’t compare to the depth of a catalogue like Max’s or the award-winning original works at other streamers, but it has a solid library with at least 30 films you should see.
This Month’s Editor’s Pick
*Clueless
Year: 1995
Runtime: 1h 37m
Director: Amy Heckerling
You can keep all those stuffy Jane Austen adaptations—one of the best remains Amy Heckerling’s updating of the 1815 classic Emma to mid-‘90s L.A. Is this the most ‘90s movie ever? From its fashion to its references to its beloved characters, Clueless is certainly one of the most iconic, a movie that made a small impact when it was released but feels like it grows even more popular with each generation that discovers it.
Clueless paramount+A.I.: Artificial Intelligence
Year: 2001
Runtime: 2h 25m
Director: Steven Spielberg
The most famous director of all time picked up the final project of Stanley Kubrick and completed it, resulting in one of the most divisive films of his career. Two decades later, it feels like most people have come around to recognize A.I. as a masterpiece. Based on a 1969 short story, it’s about an android (Haley Joel Osment) and the journey he takes to find himself. It’s really about humanity and it contains some of Spielberg’s most striking imagery ever.
A.I.: Artificial Intelligence paramount+Arrival
Year: 2016
Runtime: 1h 56m
Director: Denis Villeneuve
The beloved French director’s best film remains his adaptation of “Story of Your Life” by Ted Chiang, a tale of alien invasion that’s really more about the people on Earth than the interplanetary visitors. Amy Adams gives one of the best performances of her career as a linguist tasked with communicating with the aliens.
Arrival paramount+Beverly Hills Cop
Year: 1984
Runtime: 1h 45m
Director: Martin Brest
It’s hard to explain to people too young to experience it how big a star Eddie Murphy was in 1984 when his Axel Foley ruled the world. Murphy’s wit and charm were put to perfect use in Beverly Hills Cop that produced two inferior sequels, and both happen to also be on Paramount Plus.
Beverly Hills Cop paramount+Chinatown
Year: 1974
Runtime: 2h 10m
Director: Roman Polanski
Forget it Jake, it’s Chinatown. One of the best movies of the ‘70s, this Best Picture nominee (and Best Screenplay winner) tells the story of Jake Gittes, played unforgettably by Jack Nicholson, as he investigates an adulterer and finds something much more insidious under the surface of Los Angeles. It’s a must-see, as important as almost any film from its era.
Chinatown Paramount+Collateral
Year: 2004
Runtime: 1h 59m
Director: Michael Mann
Tom Cruise gives one of his most fascinating performances as Vincent, the passenger to Jamie Foxx’s L.A. cab driver on a very fateful night. It turns out that Vincent is hitman and he needs Foxx’s character to drive him on a killing spree in this tense, gorgeously-shot thriller from the masterful craftsman Michael Mann.
Collateral Paramount+Devotion
Year: 2022
Runtime: 2h 19m
Director: J.D. Dillard
The proximity to another little movie about pilots called Top Gun: Maverick likely hurt the bottom line of this excellent, old-fashioned drama based on a true story. The excellent Jonathan Majors plays Jesse Brown, the first Black aviator in Navy history, and Maverick star Glen Powell plays his co-pilot and friend Tom Hudner. Both young future stars are excellent in a film that viewers can now find at home.
Devotion paramount+*The Exorcist
Year: 1973
Runtime: 2h 1m
Director: William Friedkin
It’s hard to overstate the impact that William Friedkin’s adaptation of the novel by William Peter Blatty had on the movie world. Not only was The Exorcist the rare horror film to get a Best Picture nomination, but it shattered expectations about a genre too often dismissed as secondary to “Serious Drama.” Using fears embedded in cultures since the beginning of time, Friedkin made a movie that people would never forget.
The Exorcist paramount+Finding Yingying
Year: 2020
Runtime: 1h 38m
Director: Jiayan “Jenny” Shi
Jiayan Shi directed and produced this heartbreaking documentary about the disappearance and death of Yingying Zhang in 2017. Shi has unique access to the story in that she knew Yingying, and so her film has an incredible you-are-there quality as Shi captures the investigation and grief that would emerge from this horrific crime. Paramount+ deserves credit for bringing smaller projects like this to their subscribers, ones that other major streamers might ignore.
Finding Yingying Paramount+Gladiator
Year: 2000
Runtime: 2h 34m
Director: Ridley Scott
One of the most popular films of its era, this action epic stars Russell Crowe as the legendary Maximus, a warrior whose family is murdered by the vicious Commodus (Joaquin Phoenix). Forced into slavery, Maximus has to rise the gladiator arenas to get his vengeance. The film made a fortune on its way to winning the Oscar for Best Picture.
Gladiator Paramount+*The Godfather
Year: 1972
Runtime: 2h 55m
Director: Francis Ford Coppola
Maybe you’ve heard of it? In all seriousness, there’s a very cool opportunity right now to watch the entire Godfather trilogy on Paramount+, including the superior recent cut of the third film. You could then slide from some of the best filmmaking of all time into the streaming service’s original series The Offer, about the making of Coppola’s masterpiece. Marathon!
The Godfather paramount+Gone Baby Gone
Year: 2008
Runtime: 1h 53m
Director: Ben Affleck
Ben Affleck’s adaptation of a great Dennis Lehane thriller stars the actor/director’s brother as a Boston detective investigating the disappearance of a little girl. Affleck’s greatest gift as a filmmaker is with ensemble and this is arguably his best with Casey, Morgan Freeman, Ed Harris, Michelle Monaghan and the Oscar-nominated Amy Ryan filling out an amazing cast in a riveting thriller. It’s great.
Gone Baby Gone paramount+Interstellar
Year: 2014
Runtime: 2h 49m
Director: Christopher Nolan
No one else makes movies like Christopher Nolan, a man who took his superhero success and used it to get gigantic budgets to bring his wildest dreams to the big screen. Who else could make this sprawling, emotional, complicated film about an astronaut (Matthew McConaughey) searching for a new home for humanity? It’s divisive among some Nolan fans for its deep emotions, but those who love it really love it.
Interstellar paramount+Jackass
Year: 2002
Runtime: 1h 25m
Director: Jeff Tremaine
Jackass Forever helped 2022 start with a bang. Now you can go back and watch the whole series exclusively on Paramount+ right now! (Even the “alternate” ones like Jackass 3.5). Go back to the heyday of Johnny Knoxville, Steve-O, and the rest of the dangerous idiots. These movies are often derided as being dumb but they’re a glorious, infectious kind of dumb that wants nothing more than to make you laugh.
Jackass paramount+The Lost City
Year: 2022
Runtime: 1h 52m
Director: Aaron Nee, Adam Nee
With echoes of beloved rom-coms like African Queen and Romancing the Stone, this film truly felt like an anomaly in 2022, and yet it turned into a pretty big hit at the theater. It’s already on streaming services, and it’s a great choice if you’re looking for some escapism tonight. Travel to the middle of nowhere with a romance novel writer (Sandra Bullock) and the cover model (Channing Tatum) who tries to save the day.
The Lost City Paramount+*Michael Clayton
Year: 2007
Runtime: 1h 59m
Director: Tony Gilroy
George Clooney does phenomenal work as the title character in Tony Gilroy’s feature debut. He’s a lawyer who has spent his career defending big business, but he finds himself in a moral quandary over a toxic cover-up. Nominated for seven Oscars, including Best Picture, it won Best Supporting Actress for the legendary Tilda Swinton. (Note: This one is especially poignant with the recent loss of Tom Wilkinson.)
Michael Clayton paramount+Minority Report
Year: 2002
Runtime: 2h 25m
Director: Steven Spielberg
One of Steven Spielberg’s best modern movies is this adaptation of a Philip K. Dick story about a future in which crime can be predicted before it happens. Tom Cruise stars as a man who is convicted of a crime he has no intent of committing in a fantastic vision of a future in which the systems designed to stop crime have been corrupted. It’s timely and probably always will be.
Minority Report paramount+Mission: Impossible franchise
Year: 1996-present
Runtime: Varies
Director: Various
The whole series is finally here! For some reason, parts 1 to 3 and parts 4 to 6 have alternated residence on a lot of streaming services, but Paramount+ currently hosts the entire thing from De Palma’s first movie to Fallout. While we wait for Mission: Impossible 7, revisit the whole arc of the saga of Ethan Hunt to date.
Mission: Impossible paramount+No Country for Old Men
Year: 2007
Runtime: 2h 2m
Director: Joel Coen, Ethan Coen
Joel and Ethan Coen’s adaptation of Cormac McCarthy’s crime novel is one of their best movies, a flick that won them three Oscars – Directing, Writing, and Best Picture of arguably the best year of the ‘00s. If you haven’t seen it since 2007, you may be surprised at how well it’s held up. The exact same film could be released today and it would have the same cultural impact. It feels like that will be the case for decades to come.
No Country for Old Men paramount+Pineapple Express
Year: 2008
Runtime: 1h 52m
Director: David Gordon Green
Seth Rogen gives one of his best performances as Dale Denton, an average guy who just wants to get high. He visits his dealer (played perfectly by James Franco) on the wrong night as the pair cross paths with hitmen and a police officer on the wrong side of the law. This is an incredibly funny movie, and you don’t need to be high to love it.
Pineapple Express Paramount+A Quiet Place
Year: 2018
Runtime: 1h 30m
Director: John Krasinski
Who could have possibly guessed that Jim from The Office would be behind one of the most successful horror films of the ‘10s? You’ve probably already seen this story of a world in which silence is the only way to survive, but it’s worth another look to marvel at its tight, taut filmmaking and a stellar performance from Emily Blunt. Plus, Paramount+ recently added the sequel, so: double feature time!
A Quiet Place paramount+Red Eye
Year: 2005
Runtime: 1h 25m
Director: Wes Craven
With one of his last great movies, the master of horror Wes Craven proved he could also do thrills without supernatural monsters. This is a film that Alfred Hitchcock would have loved, the story of an average woman (Rachel McAdams) terrorized by the guy in the seat next to her on a red-eye flight to Miami. Cillian Murphy is chilling in this memorable, tight little genre movie.
Red Eye paramount+Road to Perdition
Year: 2002
Runtime: 1h 57m
Director: Sam Mendes
Tom Hanks doesn’t always play the nice guy. In Sam Mendes’ adaptation of the Max Allan Collins graphic novel, America’s dad plays a mob enforcer seeking revenge. What’s most memorable about this 2002 film is Mendes’ remarkable attention to period detail. It’s a gorgeous film just to live in for a couple hours. Don’t do this one on your phone.
Road to Perdition paramount+Saint Maud
Year: 2019
Runtime: 1h 24m
Director: Rose Glass
Rose Glass’s terrifying horror film is one of the best movies of 2021 and it’s already on Paramount+. Reminiscent of psychological nightmares of the ‘70s like Repulsion and Rosemary’s Baby, this is the tale of a hospice nurse named Maud (a fearless performance from Morfydd Clark) who becomes obsessed with saving the soul of one of her patients (Jennifer Ehle). It’s unforgettable.
Saint Maud paramount+*Scream
Year: 1996
Runtime: 1h 51m
Director: Wes Craven
The Ghostface killer came back in January 2022 with the release of Scream, the fifth film in this franchise and the first since the death of Wes Craven, and the fun continued with another sequel in 2023 (although the troubles around the production of the seventh film have been, well, notable). Paramount+ is the best place for a marathon with the original trilogy and the fifth and sixth films (but, bizarrely, not Scream 4.) The first movie is still a flat-out genre masterpiece.
Scream paramount+Shutter Island
Year: 2010
Runtime: 2h 18m
Director: Martin Scorsese
In 2010, Martin Scorsese released his adaptation of Dennis Lehane’s best novel, the story of a U.S. Marshal (Leonardo DiCaprio) who investigates a missing patient at a legendary mental hospital. Scorsese is in full command of his skill as a craftsman in this riveting thriller that also co-stars Mark Ruffalo, Ben Kingsley, and Michelle Williams. It’s one of the most underrated films of the century.
Shutter Island paramount+Silence
Year: 2016
Runtime: 2h 41m
Director: Martin Scorsese
The Oscar-winning legend directed one of his most personal films in this searing examination of unshakeable faith based on the 1966 novel of the same name by Shusaku Endo. Andrew Garfield stars as a 17th-century Jesuit priest who goes from Portugal to Japan to find his missing mentor and ends up being tortured for his beliefs. How long can a man hold onto his faith? This is a gorgeous, moving drama with Garfield’s best performance to date.
Silence paramount+Smile
Year: 2022
Runtime: 1h 52m
Director: Parker Finn
Paramount has been regularly funneling some of their biggest theatrical hits to their streaming service, including this film that was in theaters less than three months ago, and made a fortune worldwide (over $200 million). One of the biggest commercial and critical horror hits of the year, Smile is about a therapist who discovers something supernatural stalking her patients. It will get under your skin.
Smile paramount+The Social Network
Year: 2010
Runtime: 2h
Director: David Fincher
One of the best movies of the 2010s has returned to Paramount after a brief hiatus to remind people how wildly far ahead of its time this movie was when it was released. With a razor-sharp screenplay by Aaron Sorkin and some of the best direction of David Fincher’s career, this is a flawless movie, one that resonates even more now in the era of constant internet than it did thirteen years ago.
The Social Network paramount+Something Wild
Year: 1986
Runtime: 1h 53m
Director: Jonathan Demme
Jonathan Demme was a master of tonal balancing, finding a way to perfectly blend the comedy and the dread in this story of an average man caught up in a criminal’s web. Charlie (Jeff Daniels) is a milquetoast banker who goes on a wild ride with a girl named Lulu (Melanie Griffith), but everything changes when Lulu’s ex (an unforgettable Ray Liotta) enters the picture.
Something Wild paramount+There Will Be Blood
Year: 2007
Runtime: 2h 38m
Director: Paul Thomas Anderson
One of the best films of the ‘00s, Paul Thomas Anderson’s adaptation of Upton Sinclair’s Oil! won Daniel Day-Lewis his second Oscar as the unforgettable Daniel Plainview. As detailed and epic as great fiction, Anderson’s movie is one of the most acclaimed of its era, a film in which it’s hard to find a single flaw. Even if you think you’ve seen it enough, watch it again. You’ll find a new reason to admire it.
There Will Be Blood paramount+Titanic
Year: 1997
Runtime: 3h 14m
Director: James Cameron
More than just a blockbuster, this Best Picture winner was a legitimate cultural phenomenon, staying at the top of the box office charts for months. There was a point when it felt like not only had everyone seen the story of Jack (Leonardo DiCaprio) and Rose (Kate Winslet), but most people had seen it twice. History has kind of reduced this epic to its quotable scenes and earworm theme song, but it’s a better movie than you remember, a great example of James Cameron’s truly robust filmmaking style.
Titanic paramount+Top Gun: Maverick
Year: 2022
Runtime: 2h 10m
Director: Joseph Kosinski
It’s the movie that saved movies last year! The truth is that Paramount wanted to drop this long-awaited sequel on a streamer during the pandemic, but Tom Cruise knew it was the kind of thing that should be appreciated in a theater. He bet on himself and the result is arguably the biggest hit of his career, a movie that made a fortune and seems primed to win Oscars in a couple months.
Top Gun: Maverick paramount+*Total Recall
Year: 1990
Runtime: 1h 54m
Director: Paul Verhoeven
Ah-nuld! Near the peak of his fame, the future Governor went to Mars in this landmark 1990 sci-fi film the great Paul Verhoeven. Loosely based on a Philip K. Dick short story titled “We Can Remember It for You Wholesale,” Total Recall is about an average man caught in an uprising on Mars…or is he? Most 1990 action movies have aged poorly, but Total Recall still has something to entertain even the many Paramount+ subscribers born after it was released.
Total Recall paramount+The Wolf of Wall Street
Year: 2013
Runtime: 3h
Director: Martin Scorsese
Leonardo DiCaprio should have won the Oscar for his amazing performance as Jordan Belfort, the financial criminal that rocked Wall Street and shocked audiences in one of Scorsese’s best late films. Arguments over whether or not this film glorifies a “bad guy” have become prominent—and could only really be made by people who haven’t actually watched it. Most of all, it’s a shockingly robust film, filmed with more energy in a few minutes than most flicks have in their entire runtime.
The Wolf of Wall Street Paramount+If you subscribe to a service through our links, Vulture may earn an affiliate commission.
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